Lindsay Powell, known as Fielded, has long challenged musical norms, evolving from experimental noise to R&B with a unique twist. Her latest work, 'Some Kind of Animal,' reflects this restless creativity, blending slinky R&B, neo-soul, and industrial funk. The album draws from her earlier projects, including 'Ninety-Thirty-Thirty,' which featured 1980s synth-pop influences and saxophone solos, and 'Demisexual Lovelace,' which leaned into underground hip-hop. This new release continues her exploration of diverse sonic landscapes, featuring a cover of Nine Inch Nails' 'Closer' and a track with guest rapper Pink Siifu.
Fielded's creative process is as unconventional as her music. She relies on her Universal Audio Apollo Twin audio interface for its ease and quality, and she finds inspiration in Japanese cyberpunk films like '964 Pinocchio.' Her fascination with scammers, both big and small, has also become a recurring theme, reflecting a deep interest in human behavior and deception. This obsession is evident in her recent essays and even in her choice of physical media, such as Alissa Bennett's 'Taxidermist’s Handbook,' which explores crime and scam narratives.
Despite the chaotic nature of her work, Fielded emphasizes patience as a guiding principle. She believes in trusting the process, stating that everything happens in perfect time. This mindset is evident in her approach to music, where each project is a step toward becoming the artist she is meant to be. Her latest album, 'Some Kind of Animal,' represents a culmination of her artistic journey, blending genres and themes in a way that challenges listeners and redefines expectations.
The album's eclectic mix of styles and themes highlights Fielded's ability to push boundaries while staying true to her artistic vision. From the slow jams of 'That Bitch' to the industrial funk of 'Heaven,' the record showcases a wide range of influences and creative experimentation. This genre-defying approach has solidified Fielded's reputation as a boundary-pushing artist, and her work continues to inspire and challenge the music scene.
Fielded's work is not just about sound; it's about storytelling and exploring the human condition. Her fascination with scammers and cyberpunk aesthetics reflects a broader interest in the intersection of technology, culture, and human behavior. As she continues to evolve, Fielded remains a compelling figure in the music world, redefining what it means to be an artist in the modern era.